Manitoba Peregrines > McKenzie Seeds Peregrines

Names for the Chicks

<< < (2/6) > >>

The Peregrine Chick:
MALE NAMES

Armstrong

Louis Armstrong (August 4, 1901 – July 6, 1971), nicknamed Satchmo or Pops, was an American jazz trumpeter, singer, and one of the pivotal and most influential figures in jazz music. Coming to prominence in the 1920s as an “inventive” trumpet and cornet player, Armstrong was a foundational influence in jazz, shifting the focus of the music from collective improvisation to solo performance. With his instantly recognizable gravelly voice, Armstrong was also an influential singer, demonstrating great dexterity as an improviser, bending the lyrics and melody of a song for expressive purposes. He was also skilled at scat singing (vocalizing using sounds and syllables instead of actual lyrics). Renowned for his charismatic stage presence and voice almost as much as for his trumpet-playing, Armstrong’s influence extends well beyond jazz music, and by the end of his career in the 1960s, he was widely regarded as a profound influence on popular music in general. Armstrong was one of the first truly popular African-American entertainers to “cross over”, whose skin colour was secondary to his music in an America that was severely racially divided. He rarely publicly politicized his race, often to the dismay of fellow African-Americans, but took a well-publicized stand for desegregation during the Little Rock Crisis. His artistry and personality allowed him socially acceptable access to the upper echelons of American society that were highly restricted for black men.

For more information – Wikipedia / Louis Armstrong

The Peregrine Chick:
Nina

Nina Simone (February 21, 1933 – April 21, 2003) was an American singer, songwriter, pianist, arranger, and civil rights activist. She worked in a broad range of musical styles including classical, jazz, blues, folk, R&B, gospel, and pop. The sixth child of a preacher’s family in North Carolina, Simone aspired to be a concert pianist. Her musical path changed direction after she was denied a scholarship to the prestigious Curtis Institute of Music in Philadelphia, despite a well-received audition. To fund her continuing musical education and become a classical pianist, she began playing in a small club in Philadelphia where she was also required to sing. She was approached by Bethlehem Records, and her rendition of “I Loves You, Porgy” was a hit in the United States in 1958. Over the length of her career Simone recorded more than 40 albums, mostly between 1958, when she made her debut with Little Girl Blue, and 1974. Her musical style arose from a fusion of gospel and pop songs with classical music, in particular with influences from her first inspiration, Johann Sebastian Bach, and accompanied with her expressive jazz-like singing in her characteristic contralto voice. She injected her classical background into her music as much as possible to give it more depth and quality, as she felt that pop music was inferior to classical. Her intuitive grasp on the audience–performer relationship was gained from a unique background of playing piano accompaniment for church revivals and sermons regularly from the early age of six years old.

For more information – Wikipedia / Nina Simone

The Peregrine Chick:
Etta

Etta James (January 25, 1938 – January 20, 2012) was an American singer. Her style spanned a variety of music genres including blues, R&B, soul, rock and roll, jazz and gospel. Starting her career in 1954, she gained fame with hits such as “The Wallflower“, “At Last“, “Tell Mama“, “Something’s Got a Hold on Me“, and “I’d Rather Go Blind” for which she wrote the lyrics. She faced a number of personal problems, including drug addiction, before making a musical resurgence in the late 1980s with the album Seven Year Itch. James is regarded as having bridged the gap between rhythm and blues and rock and roll but had once been considered one of the most overlooked blues and R&B musicians in the music history of the United States. It was not until the early 1990s, when she began receiving major industry awards from the Grammys and the Blues Foundation, that she began to receive wide recognition.

For more information – Wikipedia / Etta James

The Peregrine Chick:
Ella

Ella Jane Fitzgerald (April 25, 1917 – June 15, 1996) was an American jazz singer often referred to as the First Lady of Song, Queen of Jazz and Lady Ella. She was noted for her purity of tone, impeccable diction, phrasing and intonation, and a “horn-like” improvisational ability, particularly in her scat singing. After tumultuous teenage years, Fitzgerald found stability in musical success with the Chick Webb Orchestra. Performing across the country but most often associated with the Savoy Ballroom in Harlem. Taking over the band after Webb died, Fitzgerald left it behind in 1942 to start a solo career that would last essentially the rest of her life. While Fitzgerald appeared in movies and as guests on popular television shows in the second half of the twentieth century, her musical collaborations with Louis Armstrong, Duke Ellington, and The Ink Spots were some of her most notable acts outside of her solo career. These partnerships produced recognizable songs like “Dream a Little Dream of Me“, “Cheek to Cheek“, “Into Each Life Some Rain Must Fall“, and “It Don’t Mean a Thing (If It Ain’t Got That Swing)“. In 1993, Fitzgerald capped off her sixty-year career with her last public performance. After her passing, Fitzgerald’s influence lived on through her fourteen Grammy Awards, National Medal of Arts, Presidential Medal of Freedom, and tributes in the form of stamps, music festivals, and theatre namesakes.

For more information – Wikipedia / Ella Fitzgerald

The Peregrine Chick:
FEMALE NAMES

Billie

Billie Holiday (April 7, 1915 – July 17, 1959) was an American jazz singer and songwriter. Nicknamed “Lady Day” by her friend and musical partner Lester Young, Holiday had a seminal influence on jazz and pop singing. Her vocal style, strongly inspired by jazz instrumentalists, pioneered a new way of manipulating phrasing and tempo. Holiday’s delivery made her performances recognizable throughout her career. Her improvisation compensated for lack of musical education. Her voice lacked range and was thin, and years of drug use altered its texture and gave it a fragile, raspy sound. Holiday said that she always wanted her voice to sound like an instrument and some of her influences were Louis Armstrong and singer Bessie Smith.

For more information – Wikipedia / Billie Holiday

Navigation

[0] Message Index

[#] Next page

[*] Previous page